Women Talking by Miriam Toews published in 2018.

women talking

“One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and more than a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm. While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women—all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in—have very little time to make a choice: Should they stay in the only world they’ve ever known or should they dare to escape?’

 

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This is a powerful book with an influential message to read at any time, but especially now in our political climate.

Woman Talking takes place over the span of two days in which August Epp, a man that has been expelled from his Mennonite community, comes back to take the minutes of the local woman during an important meeting. After several months of waking up sore and bruised, the women of the Molotschna colony discovered that several men in the community have been drugging and raping them during the night. A group of woman, specifically the two female family members of Greta Loewen and Agata Friesen, gather in secret to discuss their three options in regards to the men’s crimes: stay and fight back against the men, stay and do nothing, or flee the colony. They must decide quickly though because the men will be back in town in two days. One of the women, Ona, requires the help of August to document the minutes of their meeting because none of the women are literate. Throughout the meeting, ideas fly and loyalties are challenged in this short period of time when the most important decision of these women’s life is debated.

Before Toews even begins her narrative, she reveals that this book is very loosely based on a true event. The concept of a story inspiring an author so tremendously that she has creates an entire set of characters and plot in order to honour and share their story is so awe-inspiring, from both a creative and moral standpoint. Like I mentioned in the beginning, today’s political climate with the #MeToo movement, it is so important for there to be dialogue on this topic, at all times, but especially now. If you are not writing about this topic, you should definitely be reading about it in Women Talking.

The characters were strong, yet there were so many of them that it was hard to follow at times. Not to mention that they all had somewhat obscure names (Mariche, Mejal, Autje, Ona, Salome, Neitje) that didn’t help in remembering them. I know that these names are supposed to fit the Mennonite setting, but it made remembering multiple women’s names so much more difficult. I haven’t even brought up the intricate family ties between each woman, like keeping track of who is someone’s daughter/mother gets very confusing very fast. Granted, all the characters had very strong and distinct personalities, yet it still took a considerable amount of time to get them all sorted out in my head.

Another aspect that made things more confusing than necessary was the lack of quotation marks. If you’ve read in some of my past reviews (Tin Man, to be specific) you’ll know that I despise it when authors do not use quotation marks in their dialogue. I’ve said it before and I’ll say it again; quotation marks were invented for a reason, so can we all just please agree to use them whenever possible. It doesn’t make it trendy or unique when the quotation marks are dismissed, it just makes it annoying and confusing.  

Some parts of the story seem a bit too drawn out for my taste. I feel like there are some points that could have been conveyed through a sentence or so but were rather written in several paragraphs. Perhaps it was supposed to be a commentary on the conversational aspect of women, or maybe the author just wanted a higher word count. Either way, the writing itself was good but the overextension of it just didn’t sit right with me. On the flip side, there were some plot points, such as August’s unrequited love with Ona, that didn’t go as far as I would have liked it too.

This being said, I really liked the ending. Maybe not the direct plot of the ending, but the allegorical meaning of the ending (look at me, using big English major words like allegorical). The ending is a big statement on the relationship between men and woman, and more importantly, the dependency link between the sexes. In a patriarchal society such as Molotschna (and perhaps even modern America) there is often a power imbalance and it is thought that the women depend on the men to live their lives, yet in the end, August’s life was essentially and indirectly saved by these women, which is a beautiful sentiment to end this story with.

Women Talking is a creative approach to address the scary world that all women live in (and when I say all, I mean all―not just privileged white women living in the city). It speaks of toxic masculinity that is damaging both of women and young men. I think Toews elegantly captured the struggle all women have navigating a cruel world while also trying to stay true to their personal morals.

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